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"Well," said Mr Eagle, "I'm for leaving these 'ere coils on the pin until the time comes for chucking the fakes down and lettin' go, by which I mean I'm for waitin' until the Capt'n calls the 'ands aft and reads to 'em the sealed orders he told me about. It'll be time enough to speak up when we know what Captain Acton's instructions to him are." And she's all the world to me, "Is Mr Eagle on board?" asked Miss Acton..

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"No, it ain't, 'cause he kin kill a black snake a sight easier than he kin a womper, an' I'll tell you why. Black-snakes have got teeth. They bite. But their backbone is easy broke. A womper hasn't any teeth. He strikes with his bony nose. You know what one of them snakes kin do? You saw that big one, down in Patterson's swamp lay open Moll's face with one slash. They're thick necked, an' take a lot of killin'. This crow kin kill a black-snake with one slash of his bill. He has to choke the womper to death." He ran out of the cabin. The Admiral pillowed his son's head with his arm, and gazed at the marble-still features. Never could any man appear more stricken, though 'tis hard to tell by posture or by expression of face the depth of human sorrow, the pang of the wound that death alone can heal. His only son—whom he had cursed for his wickedness—whose professional life, extinguished by an act of drunken madness, had swelled the eyes of the father with the unshed tears of the spirit of[Pg 439] a man—lying dead or dying on his arm—self-slain! The voice choked up and a tear splashed down on the hand clenched on her lap. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..